User Profile: Ruslan Kulski

About

Name:Ruslan Kulski
Member since:March 15, 2007
Interests:Writing
Expertise:I have a degree in journalism and no experience.
Location:Tokyo, Japan
Affiliations:
Website:http://smokinghat.blogspot.com/
Joined because:I want experience working with journalists, in case I have to get a real job one day or start a career or some such.
Bio:I finished my Degree in Australia last year and then moved to Japan. Japan is where I am.

Recent Activities

TypeTitleAuthorRepliesLast Post
Topic DiscussionThe Basement Tapes and BoingBoingRuslan Kulski01 year 10 weeks ago
Topic Discussioninterviews for CS filmRuslan Kulski01 year 10 weeks ago
Topic DiscussionOn the marchRuslan Kulski21 year 10 weeks ago
ReportingVEB FILM LeipzigRuslan Kulski01 year 12 weeks ago
ReportingMichael Shaw on DTPRuslan Kulski01 year 13 weeks ago
Topic DiscussionOutlineRuslan Kulski01 year 13 weeks ago
ReportingDTPRuslan Kulski01 year 14 weeks ago
Topic DiscussionSnakes! On a plane!Ruslan Kulski21 year 13 weeks ago
Forum topicAny muthaf#$%in' crowd in this muthaf*&%in' films' production?Ruslan Kulski11 year 14 weeks ago
ReportingCS Film makes The TelegraphRuslan Kulski01 year 14 weeks ago

Blog

Crowdsourced film funding in Variety

Ruslan Kulski's picture

Through HD for Indies I came across this Variety piece by Scott Kirsner.

Thats! some! link! action!

Anyhoo, the article is quite skeptical about the viability off the current crop of models, such as A Swarm of Angels, that have been popping up around the web. The main criticism is that in reaching for full feature funding, these projects are overreaching themselves.

Here's a quote....


I think for this idea to work, somebody bigger than a nobody would have to step up to do it, and they'd need to lower the target amount to raise - $100K tops I'd think...but that's not much of a feature - you could make a nice short for that though.

...and he goes on to have someone say why no one bigger will step up....

Daniel Riviera, a San Francisco entertainment attorney active in indie film production, says he can't imagine experienced film investors entering their credit card numbers on Web sites to buy into a project, rather than signing the standard private placement memorandum.

"I don't think any of the investors I work with would get involved," he says.

I would have to a agree, that for as far as a fully decked out production of a crowdsourced film goes, a short might be the ticket.


Journalism Principles

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The Center for Citizen Media has a page outlining the basic principles that "detail the bedrock foundations of journalism to help citizen reporters grasp the fundamentals of the craft in a networked age."

The sections are divided into accuracy, thoroughness, fairness, transparency, independence and resources.


A crowdsourced shoot?

Ruslan Kulski's picture

In an interview with Steve O'Hare of ZDNet, the person behind A Swarm of Angles, Matt Hanson, says....

We'll also be recruiting the film crew as much as possible from the membership. Film is usually such a closed community, a difficult industry to break into. By joining the Swarm you immediately get an entry into it without competing with hordes of others.

This isn't what I would call a crowd sourced shoot, but it is an example of crowdsourcing enabling people to become involved in a way that may otherwise have been impossible.


The crowdsourcing of film production

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The variety of ways crowdsourcing is impacting the production of moving images is a tribute to the power of the movement. Each stage of production is being taken over by the crowd.

Elephants Dream is an animation made using Blender, a digital '3D content creation suite' released under a GNU General Public License.

Stray Cinema have released the stock footage of a film shot in London that is free for anyone on the Internet to edit into their own 'open source film'. The results will be screened at a festival in London.

A Swarm of Angels have open sourced the funding process for film by gathering donations from members In return they are giving the members the ability to input into the creative process of the film itself.

I wonder if anyone can point to an example of a crowdsourced shoot? Perhaps Creative Commons footage mash-ups count.

Any thoughts?