art

Deviant Artists Descend on the Art World

Malcolm Levy

An online community for artists by artists

Malcolm Levy interviews Angelo Sotira via telephone, May 19th, 2007

Angelo Sotira is one of the founders of Deviant Art, one of the largest online forums for printed art and culture. The community web site aspires to create the most powerful outlet in the world for known and unknown artists alike. They post their work, receive feedback and even sell prints at a sister Web site.

Malcolm Levy: On the web site you speak about the origins of Deviant Art, saying “We took the road less traveled and arrived a little later, but on our own pure and untainted terms. We're doing it our way." What did you mean?

Angelo Sotira: We started Deviant Art in the summer of 2000, and at that particular time, all the other Internet properties that were focused in any way on entertainment were going out of business. We have been able to remain entirely private; the only way that we would not remain private or fully in control of the property is if we found it greatly to the advantage of the community to alter that strategy. And we have had many opportunities, and many offers, but we have walked away from all of them because we didn’t want to lose control. The employees of the company, my partner and I are directly in charge of the operations of Deviant Art. So we have done it our way. There are no board seats available outside the organization. There is no money that would come with any strings attached; we are a no-strings organization.

5/24/07

ArtCamp: The World's First un-Conference on Art

ckaiser's picture

Jarrett Martineau sent a heads up on an interesting Vancouver-based Unconference on Art which took place last fall.

ArtCamp, the World's First un-Conference on Art, was a co-production between New Forms Festival and Upgrade! Vancouver that took place on September 21, 2006, replacing the New Forms Festival Conference. ArtCamp aims to bring the open collaborative process of a wiki into physical space. It is a self-organizing event geared toward sharing practices and ideas on art, media, networks and culture. The idea is to create an event in which conference structures are overturned in favour of collective, self-organizational models. ArtCamp is an experiment in bringing these principles into action in the context of art discourse, production and practice.

Jarred suggests a collaboration between cultrure and unconferencing sections on this one.

Thanks, Jarred.


Greetings & Welcome!

jarrettmartineau's picture

Welcome to the Culture section of AZ.

I will be guiding & editing AZ's culture stories on webTV, film, art, funding, music, and whatever else we dig up in these next few weeks. There are some fascinating stories to cover and I hope you'll get involved.

For my part, I've been working as an editor, writer, and new media producer with CBC television, radio, and web (more details are up on my bio page), and I'm currently a culture editor over at the amazing crowdpowered media site NowPublic.com. I also write regularly on my own blog, Culturite, about many of the topics we're going to be covering here at AZ. Suffice it to say, I'm very interested in exploring the incarnations and implications of crowdsourced culture.

I'd like for this section to focus on several key ideas and potential AZ stories - and I'm open to your thoughts and ideas about where we should take them:

CurrentTV
Crowdsourced Film
Crowdfunding
Crowdpowered Art
Miranda July's project: "Learning to Love You More"

Are you involved in any of these projects? Have you worked for, or contributed to, CurrentTV? Do you have first-hand experience as a cultural creator (artist, filmmaker, online video producer), or as part of an arts organization trying to get a crowdfunding project off the ground? I'd like for us to cover these topics through a a blend of: interviews with key people, first-hand accounts of experience with these topics, and researched features on how these topics are developing and evolving.

And...although Sellaband is already being covered by Jeffrey Sykes , I think there is still some ground for us to cover in the area of crowdsourced music . I'm particularly interested in looking at some emergent music/web 2.0 hybrids like the revenue-sharing music site AmieStreet.com and the self-described "hip-hop 2.0" site RapSpace.tv .

How are these sites changing the way a crowdpowered 2.0 community of users interacts with content? Who is getting involved in these sites and who are they being marketed to? What kind of content is most valued on the site and how does the crowd drive its success?

More generally, and perhaps somewhat philosophically, I'm also interested in the 'experiential' aspects of crowdsourced culture, both from the perspectives of artists and of the public. In parallel to our nascent AZ process of producing 'crowdsourced journalism' which, will be self-documented and well blogged about ), I'd like for us to consider what the experience of actually making this new kinds of art is like. How is it similar or different to other forms of artistic collaboration?

What new forms and ideas could emerge from engaging with art and culture in this way? Are there dangers of these projects being co-opted or (mis)guided by outside interests, corporate or otherwise?

All of this and a whole lot more, I'm sure.

Interested in being involved? Please get in touch. I'm at jarrett.newassignment@gmail.com

I look forward to working with you.

Best,
JM


How the World of Cinema Strays

Ruslan Kulski's picture
Ruslan Kulski
Reporting page:

Crowdsourcing moves into film -- can the crowd create a movie?

Ruslan Kulski interviews Michelle Hughes from Stray Cinema via email

From the site: Stray Cinema is an open source film. Here you are able to download and re-edit the raw footage from a film we have shot in London. This will provide people from all over the world with an opportunity to create their own version of the film. Stray Cinema will navigate the film experiment out of the online digital world, into the 'real world' with a screening of the top five films in London. The footage shot in London is the first of many open source films to be provided by Stray Cinema.

Ruslan Kulski: What are your contributor numbers? Output etc.?

Michelle Hughes: There are currently 598 registered users on www.straycinema.com, and 31 film submissions from 15 different countries.

3/16/07
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